House of the Rising Sun by James Lee Burke

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My husband LOVES James Lee Burke’s books (particularly the Dave Robichauex series)…and, I admit that over the years I have tried (without success) to develop an appreciation for them. The House of the Rising Sun, while not a Robichauex, stars another of Burke’s well-known protagonists: Texas Ranger Hackberry Holland. I gamely jumped in, with an open mind, ready to discover (if nothing else) what it was about this author’s books that kept me from appreciating his work.

The book opens in revolutionary Mexico in the early 20th century. Following a violent encounter leaving several Mexican soldiers dead, Hackberry escapes and takes along an artifact (possibly the Holy Grail), which totally annoys an Austrian arms dealer. This complicates things, as Hackberry is in search of his son Ishmael, a captain in the U.S. Army, and the arms merchant involves Ishmael in his plot to recapture the coveted artifact.

Along the way, scenes unfold in brothels and bars in San Antonio (during the time of the Hole-in-the-Wall Gang).

I admit, I skimmed quite a bit of the book, finding the action nearly comic book in its presentation, and I didn’t really care for Hackberry (or really any of the characters). I figured the only way to review this one was to sit and talk to my husband, who really enjoyed it. Apparently, Hackberry has much in common with other Burke protagonists:

  • he is a driven man, haunted by deaths for which he was responsible.
  • he is a raging alcoholic, alternating between sobriety and major binge episodes
  • he is verbally a wise-ass, and gets away with insulting and publically humiliating powerful people
  • he literally sees red when overtaken by his anger, and the result is an out-of-control violent outburst

(What’s not to like, right?)

Hackberry’s behavior reflects the above characteristics, and we see him interact with significant female characters that aid him in his quest for reconciliation with Ishmael:

  • Ruby Dansen, Ishmael’s mother and apparently Hackberry’s one true love
  • Beatrice DeMolay, a madam in a bordello
  • Maggie Bassett, former lover of the Sundance Kid

Perhaps if I had tried harder to understand the character of Hackberry rather than just reacting to his behavior with my own personal biases, I might have liked it more. I APPRECIATE it, and am grateful that I had the opportunity to read an advance copy, thanks to NetGalley. I will always buy Burke’s books and recommend them to people I know will appreciate them – they just aren’t my thing.

The Night Ferry by Michael Robotham


I have recommended Michael Robotham’s books to many people…so I was happy to have a new Robotham book to read/review. In his latest, the protagonist is London-based Detective Alisha Barba (who appeared as a minor character in Lost, published in 2005). As the story begins, Alisha is recovering from a terrible injury sustained at work. She is such an interesting character: A Sikh with low self-esteem, she has lost contact with her BFF Cate, who asks her in an urgent note to please attend their upcoming school reunion.

Despite feeling low and having an overall less than lofty self-image, Alisha decides to attend the reunion, a concept she isn’t totally wild about: “That’s the thing about school reunions – people only come to measure their life against others and to see the failures. They want to know which of the beauty queens has put on seventy pounds and seen her husband run off with his secretary; and which teacher got caught taking photographs in the changing rooms.” (I LOVED this, as I was reading the book while on a trip to Southern California for a high school class reunion!)

We quickly realize that Alisha’s background and family have a huge impact on her career and relationships: at work, “Everything else paled into insignificance alongside my skin colour and Sikh heritage.” She knows “all families have baggage but mine belongs in one of those battered suitcases, held together with string, that you see circling endlessly on a luggage carousel. “

 Alisha is tiptoeing around her relationship, but hesitant to dive in full bore for fear she will ruin a good thing” I have no experience of love. Ever since adolescence I have avoided it, renounced it, longed for it. (Such a dichotomy is one of they symptoms.) I have been an agony aunt for all my girlfriends, listening to their sob stories about arranged marriages, unfaithful husbands, men who won’t call or commit, missed periods, sexual neuroses, wedding plans, post-natal depression and failed diets. I know all about other people’s love affairs but I am a complete novice wen it comes to my own. That’s why I’m scared, I’m sure to mess it up.”

 Robotham does a great job getting into the head of female characters, as in this scene between Alisha and her boyfriend: “Propped on one elbow, I study him. His hair is soft and rumpled like a tabby cat, with tiny flecks of blond amid the ginger. He has a big head. Does that mean he would father big babies, with big heads. Unconsciously I squeeze my thighs together.”  Later, her ambivalence about motherhood is evidenced by her comment “I’m not good at describing newborn babies. They all look like Winston Churchill. “

 While Alisha continues to dance around the relationship with her boyfriend, her mother is somewhat determined to push her toward a traditional arranged Sikh marriage: “My mother says the truth is unimportant when it comes to love. An arranged marriage is all about the fictions that one family tells another. Perhaps she’s right. Perhaps falling in love is about inventing a story and accepting the truth of it.”

 As she arrives at the reunion, Alisha finds Cate but, before they can have an in-depth conversation, what seems initially to be a tragic accident leaves an apparently pregnant Cate dead – but it turns out she is faking her pregnancy, and her comments to Alisha right after the accident suggest foul play. The plot weaves its way through London, the U.K. and Amsterdam, and involves human trafficking, babies for sale, and desperate migrants (which resonates with the current refugee problems in Europe).

The character of Cate is a bit puzzling, but her personality leaps off the page as Robotham reveals that Alisha thinks Cate “treated love and friendship like a small creature trapped in a blizzard, fighting for survival. “ Alisha and a sort-of-retired detective named Ruiz (protagonist in Robotham’s Lost, where we were first introduced to Alisha) go to Amsterdam in search of answers, and Robotham’s skill at setting a scene is on full display: …” red-light district is different at night. I can almost smell the testosterone and used condoms. “ Ruiz is skilled at working with people (particularly Alisha), not always in alignment with the Metro Police’s official rules, as seen when he talks another cop into skirting some of those rules, telling the other cop: “You’re a credit to the Met. You’re not frightened to have an opinion or act on a hunch.” Alisha marvels at his skill, noting, “It’s like watching a fisherman casting a fly.”

The revelation about Alisha’s insecurity and possible overcompensation due to feeling devalued as a detective (perhaps due to her Sikh heritage) is skillfully done, and aligns with her overall self-image. For example, she notes she has “…faced off suspects, pursued cars, charged through doorways and walked into abandoned building but have never thought that I might die. Maybe that’s one of the advantages of having little self-value.”

Along the way, we learn more about Alisha, and there are some terrific revelations about her character: “Regret is such an odd emotion because it invariable comes a moment too late, when only imagination can rewrite what has happened. My regrets are like pressed flowers in the pages of a diary. Brittle reminders of summers past; like the last summer before graduation, the one that wasn’t big enough to hold its own history.”

What really set this book apart for me, in addition to Alisha’s unique character, are the geopolitical messages that are integral to the story. For example, Alisha notes that “We in the West like to think it can be different; that we can change these countries and these people because it makes us feel better when we tuck our own children into their warm beds with full stomachs and then pour ourselves a glass of wine and watch someone else’s tragedy unfold on CNN.”

 One of the refugees they encounter, a young woman named Zala, is described: “The smudges beneath her eyes are signs of the premature or the beaten-down.” Another young female refugee, telling of the life in Afghanistan that had prompted them to flee, notes ” … Americans dropped leaflets from the sky saying they were coming to liberate us but there was nothing left to free us from. Still we cheered because the Talibs were gone, running like frightened dogs. But the Northern Alliance was not so different. We had learned not to expect too much. In Afghanistan we sleep with the thorns and not the flowers.”

 A man named Hokke is part of the action in the Amsterdam. When talking to Alisha and Ruiz about issues related to the hidden refugee population they are desperately working to help as they search for the link to Cate’s situation, he tells them the scope of their challenge: “There are half a million illegal workers in the Netherlands – Iranians, Sudanese, Afghans, Bosnians, Kosovars, Iraqis. They work in restaurants, hotels, laundries and factories. Newspapers wouldn’t be delivered without them, hotel sheets wouldn’t be laundered, houses wouldn’t be cleaned. People complain, but we cannot do without them.”

Robotham is skilled at writing complex plots with characters that become real. Although it is difficult to write about this particular story without spoiling the mystery, suffice it to say that it is a terrific read, with messages that are relevant to current world events. Michael Robotham is one of my new favorite authors…and I am grateful to have been provided a copy of The Night Ferry by NetGalley in exchange for my review (apparently a re-release as it was published originally in 2007, according to Amazon).

The Lake House by Kate Morton


I admit it: I’m a sucker for a good book cover. And the image of the cover of Kate Morton’s The Lake House leapt off the page so, ignoring any memory of having read other titles by this author or (more importantly perhaps) what genre this title belonged to, I dove in.

First off, I love reading mysteries, and this book opens in 2003 with the protagonist, Detective Sadie Sparrow, on forced leave from the job she loves in London, due to a huge mistake she made working a case involving a mother who disappeared, leaving her young daughter alone. Sadie zips off to Cornwall to stay with her beloved grandfather Bertie, who has relocated there following his wife’s death. As Sadie is exploring the neighborhood, she stumbles upon both an abandoned estate (Loeanneth, or “Lake House”) and another mystery involving a child – in this case, Theo, who is an 11-month old boy, the 4th child and 1st son of the Edevane family. Following Theo’s disappearance in the early 1930s during a large party at Loeanneth, the family moves to London, never to return. So, voila! More than one mystery! Looks promising.

The story shifts to 2003 London and the author Alice Edevane, who is the middle daughter who was 16 at the time her baby brother Theo disappeared from the family home at Loeanneth. Sadie contacts Alice, wanting permission to investigate the cold case (and the house itself, which is a significant presence in the story). As things unfold, we learn the backstory of the family and follow a number of what seem like loose ends, but somehow we know it will all be pulled together at the end (part of which I guessed at about 40% of the way through the book, and I am TERRIBLE at solving mysteries).

The Lake House has much in common with The Secret Keeper, Morton’s earlier book, which I read awhile ago: both include a country house, a teenage girl, family secrets and a narrative split between past and present. There are some cliffhangers, tons of description and artfully drawn settings. There are also strong female characters, particularly Alice and Sadie, both of whom are haunted by secrets.

Alice is amazing: in her 80s, she is sharp and feisty. “She had found that there were few genuinely dull people; the trick was to ask them the right questions.” And I loved the line: “To age was contemptible, but the single silver lining was the cloak of invisibility gifted by the years. Nobody noticed the little old lady…”

Sadie is struggling in more than one area and I was never clear on her self-perception, as she states”…would never have guessed in a million years that a person could gain this sort of satisfaction from a visit to the library, certainly not a person like her” (emphasis mine). What does that mean? She is, like Alice, inquisitive and determined. As someone who has for years felt answers would be found in books, what better place to hang out than a library? (OK, my librarian background and bias are showing) I did love her comment that …it was a berry brave thing to do, to write one’s feelings down on paper and give them to another person.”

So, as I look at the complex plotting, setting, etc. I see it was well done…so why, then, did I have such trouble with it? Two reasons, I think. One is that things were just way too neatly wrapped up. The other is that my own bias regarding genre must be stronger than I realized (or I am just older and crankier than I realized). Morton “has degrees in dramatic art and English literature specializing in 19th century tragedy and contemporary gothic novels (again, emphasis mine). This kept feeling like it was about to slide into a sloppy romance wrapped in a tinge of mystery. Seriously, when I read this line I nearly threw my Kindle across the room” He kissed her, and she sand into his embrace.”

To be fair, this is decidedly NOT my genre, and I know that people who enjoy the family-secret-romantic-mystery thing are going to ADORE this book. If I were still working in a public library, I would love to have this to recommend to the large number of people who fit that category. I will definitely recommend this title to some women I know, and while I doubt I will leap at the next book by Kate Morton, I do appreciate the opportunity to provide an honest review of this title in return for a copy from NetGalley.

The Gratitude Diaries by Janice Kaplan

gratI have a dilemma about this book: first off, I WANTED to love it. I wanted it to teach me how to be constantly grateful and not to be a whiny, self-involved depressive who suffers bouts of envy and sadness (despite having an awesome life living in Paradise with few actual problems). On the other hand, I wanted to be dismissive – to finish it and say (as one reviewer did) it was just fluff, written on a fourth-grade level, and it certainly had no substance or meaning to offer the reader. Being able to blow it off would confirm that my ongoing lack of a gratitude habit was not diminishing my odds of happiness.

The author certainly seems to be someone for whom gratitude would be natural: she is a Yale graduate, has homes in New York and Connecticut, has been a successful author and editor, and has an apparently amazing husband/family. So of COURSE she would be grateful, right? Yet she found herself making a commitment to spend a year of her life consciously being grateful along with researching the topic of gratitude. As she put it “I’m going to try to be more grateful from now on. It’s my plan for the year. I think it will make me happier.”

As Kaplan begins her year, she quickly realized that “gratitude wasn’t the same as happiness; it requires an active emotional involvement – you can’t be passively grateful.” Which is where her journaling comes in (a consistent finding is the value of a gratitude journal), something she does throughout her year, as she begins to actively practice being grateful.

In addition to her practice, she did a significant amount of research into the topic, including working with comedians (Jerry Seinfeld), philanthropists (including Matt Damon) and researchers such as Dr. Robert Emmons of U.C. Davis. Emmons’ research findings include what seemed to me to be a profound revelation that “you don’t need good events in your life in order to feel gratitude. Instead, grateful people reframe whatever happens to them.” Logical? Yes. Intuitive? Not to me.

Many people think if they only had more, they would be happy. More money or more things or more success at achieving a goal, such as weight loss. She covers all three of these things, each quite significant to me as I read:

She decided her mantra could be “enough,” that she would be grateful to just have enough!


  • I loved reading that studies showed that given a choice between earning $100,00 a year if most people were earning $75,000 a year and getting a raise to $110,00 a year if most people were earning $200,000, most people would be happier with the $100,000.
  • Kaplan said she felt she didn’t need a lot of money to be happy, just “enough money so I didn’t have to think about money.” (keep in mind, this is a woman who from outward appearances is quite successful, with multiple homes and a prestigious career, so it might be easy for her to say this).
  • She found that money gave people an undue sense of entitlement, with little attention on compassion or ethics.
  • In the US, the “magic number” seems to be $75,000: that is the annual income level beyond which more money doesn’t really matter. Whether you earn $100,000 or $300,000 it is about equal in terms of happiness.


  • When people were asked how grateful they were for a variety of things, “your current job” finished dead last, always.
  • Material possessions are never quite as satisfying as people expect they will be. Turns out that experiences provide much more lasting happiness.


  • She has had an ongoing battle with weight, and she practiced being grateful for her food, appreciating the food. I am not sure how successful she was, but she did learn that mood affects what we eat (not surprisingly).

Kaplan learned that it is all about perception. As she learned from Tony Robbins, “if you trade your expectations for appreciation, the world instantly changes.”

The biggest lessons were to be grateful for what you can do, especially when you can’t do everything. Also, if something is done, gone, or irretrievable, get over it! Be grateful for whatever life has brought you, and if you CAN change something that makes you unhappy, do so, but otherwise, get on with your (grateful) life.

Kaplan claims that her year was extremely successful, but she hasn’t come to believe tat everything happens for the best. Bad things do occur, and our lives are not any better for them – but they can feel better, depending on how we choose to respond to those things.

The resolution of my dilemma is that I have resolved to be more CONSCIOUSLY grateful. In complete honesty, my life is unbelievably good, but I have a history of depression. It has been under control in recent years, but still emerges and threatens to drag me toward the black hole from time to time. Since I have had more free time, I have been working to live more in the moment, appreciating the things, people, experiences and situations that make my life great. Avoiding the things that might tend to drag me down (such as intolerance, cruelty, violence and greed) takes a bit more effort, because it seems so pervasive in the media…and I recognize that my inherent tendency to be Debbie Downer means I need to be more vigilant or at least active in my pursuit of happiness. Couldn’t hurt, right?

An enjoyable read, with lots of entertaining anecdotes and experiences combined with the facts and research. Extremely grateful to have received a copy of this title from NetGalley in return for my honest review.





What You See by Hank Phillippi Ryan


I received an advance copy of Ms. Ryan’s latest book…and my initial reaction was something like “YAY! Another author to add to my “writers-whose-latest-book-I-immediately-snap-up” list! Not sure why I have missed her previous Jane Ryland novels, but I plan to go back and enjoy them as well.

Ms. Ryan’s “day job” as an investigative reported in Boston has been incredibly successful (30+ Emmys and a dozen or so Murrow awards), so she knows her way around crime stories. In addition, she way a way with plot and characters that is smooth yet thrilling. This is the fourth book in the Jane Ryland series set in Boston, and while it will please established fans of the series, it will also bring in first-time readers without leaving them feeling like they should not have read this one unless they read the previous three novels.

In What You See, Jane is “between jobs,” having quit her job at the newspaper due to their ethical lapses. Considering a return to TV news journalism, she is in the middle of an interview with a local station Channel 2 when a story breaks in front of City Hall. There is (conveniently) no one else available at the station, so the news director who is interviewing her sends Jane. Also conveniently, her boyfriend Detective Jake Brogan is also involved in the same case.

The scene at City Hall is chaotic and Jake and his partner Paul DeLuca are already on the scene giving out assignments and trying to keep control when Jane arrives. A young man who wants to make a name for himself as a photographer latches onto Jane and steers her toward an alley where Jake and DeLuca (again conveniently) are involved investigating the case with one suspect claiming to have captured the killer and the other suspect unconscious from being beaten.

Conveniently, Jane and Jake meet up in the alley, and their apparently long-standing issue about old maintaining their romantic relationship while dealing with conflicting interests re-emerges. As if this isn’t enough, Jane’s sister calls her during the chaos, telling her that her fiancée’s daughter is missing, and it is just a few days before Jane and Jake are scheduled to travel to the Midwest of Jane’s sister’s wedding.

Neither the murder victim nor the injured man in the alley has any ID on them, making things very complicated for Jane AND Jake! Jane is trying to get a new job, and her family situation turns into a possible kidnapping. Without spoiling the plot, there is a fast-moving story with well-defined characters, interesting plotlines, and ongoing development of the Jane-Jake relationship. Again, this is the fourth in a series but it stands alone quite well.
It’s another success for this author I have happily discovered thanks to NetGalley!

The Good Goodbye by Carla Buckley


Four Stars! Thanks to NetGalley, I received a copy of Carla Buckley’s The Good Goodbye, which might actually be a YA novel. If it isn’t, my vote is that it should be…doesn’t mean it won’t be read/enjoyed by adults, but I think YA readers would REALLY like it.

Part of that is due to the main characters around whom the story swirls: Rory and Arden. These two young women are cousins who have always been inseparable and apparently almost identical. They have gone away to college together, even becoming roommates. The weird and almost sad thing is they end up attending a college that wasn’t anywhere either one of them had any desire to attend – but a serious financial crisis in their shared families has meant that Rory isn’t able to go to an elite university (a lifelong dream) and Arden can’t escape to the left coast to attend art school.

After the first 6 weeks of the freshman year, there is a fire in their dorm, leaving a close friend dead and both of them unconscious in the ER. The two sets of parents deal with the shock and gradually evolving drama that leads to a police investigation.

The “perfect” cousin Rory (bound for the elite university) is somewhat a princess, with an outward appearance of social ease and popularity. Her artsy cousin Arden is quite insecure and lives in Rory’s shadow. The novel unfolds in alternating chapters and reveals their shared history gradually. Arden’s mom (Natalie) is in total denial about whether her child could be anything other than perfect, and we come to learn more and more about the family dramas that have bound these people together (and threaten to completely rip them apart).

Rory, the princess, is gradually revealed to be incredibly manipulative and deceitful, living in terror of being revealed as anything less than perfect. As the past comes into focus, we see the two families both supporting and destroying their extended bonds…an aspect that I found really well done.
We come to learn how the fire started as we learn about the fate of the family members individually and in relationship with each other. As one reviewer put it, “Love and disdain are two sides of the same coin and … that was portrayed here quite well. “

It totally help my interest, and while I had an “oh no!” moment near the end, I did like it a lot. In some ways Carla Buckley’s writing reminds me of Jodi Picoult – fans of Jodi’s will appreciate this one, and I will look for future books by Ms. Buckley!

Broken Promise by Linwood Barclay


I was happy to be given a copy of Linwood Barclay’s latest novel, “Broken Promise,” in exchange for an honest review. He has been one of my favorite authors, and I had high expectations…that were more than met overall.

When David Harwood (introduced in an earlier book, although this title stands alone quite nicely) returns to his hometown of Promise Falls, New York, he is a widower with a young son, Ethan. He gave up his job at the Boston Globe so he could spend more time with Ethan, returning to the newspaper where he originally worked, being hired away by the Globe. However, as soon as he starts work, the hometown newspaper is shut down, and he is out of a job, living with his parents, trying to figure out what to do next.

The town of Promise Falls is heading downhill, with plenty of scandal and crime to keep an out of work reporter busy investigating. (Barclay’s line about the town is that it is like a suit that was once new but is now shiny and threadbare…love that line!) Things like dead squirrels, woman stabbed in her home, baby disappearing, attempted rapes at the college, illegal immigrants, sleazy local politicians, gambling problems/debts, and more.

There are several story lines running parallel to each other, and you just KNOW they will come together…and they do.

There is a slight hanging thread, which seems primed to be the beginning to the next book in what looks to be a great series.

Setting is well done, characters are many and complex, but not to the point of making you want to pull out your hair and throw the book across the room. Barclay seems to be a consistently entertaining writer, and I will eagerly read his future books!

5 stars from me! And THANKS to NetGalley.

Bradstreet Gate by Robin Kirman


I received a copy of Bradstreet Gate for review…and I was really looking forward to it! Comparisons made to Tartt’s Secret History and The Interestings (loved the former, felt the latter was not as interesting as the characters thought they were!) And I love mysteries, and looking at this, I had some sense that it might be a thriller – all right up my alley!

But Bradstreet Gate was difficult for me to read…it kind of plodded along, and I admit I left it twice to read other things. There was plenty of plot, and the writing is excellent. I thought the characters were well drawn, and I kind of loved that the three main characters (Charlie, Georgia and Alice) were all troubled souls who seemed to be looking to advance up the social hierarchy as a result of attending Harvard (a not unreasonable progression, IMHO). The book is ostensibly focused around the murder of another student, Julie Patel, but really it evolves into a chronicling of several outwardly successful Harvard graduates and their various ways to deal with their acquired privilege and to squander their lives in a decade…

The other character, Storrow, sort of creeped me out (again, well written to have such an effect on the reader). The ending of the book was not wrapped in a tidy bow, and there were several subplots left unresolved.

I think perhaps I just didn’t care enough about the characters. While they were well drawn and fully developed (the three main characters, at least), they were so well developed that they became real people…none of whom I liked.

Possibly my expectations were too high. In any case, the writing was good enough that I will definitely read Kirman’s next book!

Eden in Winter by Richard North Patterson


Eden in Winter concludes Patterson’s trilogy focused on the Blaine family of Martha’s Vineyard. In all honesty, I read the first in the series (Fall from Grace) in 2012, but somehow missed the second installment. Not sure if this affected my appraisal of this one, but really, I think in a series like this, it would be ideal if each book could stand on its own, and in this case perhaps an initial recap to bring new readers up to speed could then be followed by the “new stuff.”

However, that isn’t how this one (which I received in exchange for an honest review) works! When this one opens, the protagonist, Adam Blaine, has returned home following the death of his father, the world-famous novelist Benjamin Blaine, from whom he has been estranged for years. If this series is a roman a clef, I am not in the loop enough to pick that up, so apologies if this is the case…

So, Adam has been off doing his thing (CIA) in Afghanistan, and when the book opens, there is an investigation to determine Ben’s cause of death. Apparently, there is a list of potential assistants more than willing to assist Ben to his death, although the scene looks at first like an accidental fall from a high wall.

We are soon to realize that Adam knows it was murder, and he knows the killer. But, as you might expect in a multigenerational saga of betrayals, infidelity and abuse, Adam decides to protect the murderer, using his special CIA tradecraft skills.

It seems Ben has left almost his entire estate to Carla Pacelli, a young actress who happens to be recuperating on the island after a stint in rehab, and she is pregnant with Ben’s child. The creepy meter began when Adam and Carla develop an attraction to one another, and Adam realizes he has some Daddy issues, but the budding romance is designed to make Adam and Carla more likeable.

Seems like a struggle for Patterson to make this long saga of an unhappy family into a believable psychological drama by having Adam consult a local therapist, who works with him on the whole Oedipal thing, and reveals lots of betrayals, infidelities, class struggle, abuse – yikes.

I suspect this would be greatly appreciated by fans of the first two in the series, but looking at it as a standalone novel, I suspect it is just overly complex, with stilted dialogue and situations as Patterson works to explain how everyone is related (by birth and situationally) to everyone else. It was an enjoyable read, but I have to admit I usually REALLY enjoy Patterson’s legal dramas and was a bit disappointed not to have more courtroom-based action. I found I was a bit relieved when it was all over. If you like psychological examinations of families that will make you feel something along the lines of “wow, my family isn’t as screwed up as I thought we were,” this one is for you!


Rising Strong by Brene Brown


I love Brene Brown. Watched her TED talks, took an online class through OWN, read her books and blog – I love her. So I was really pleased to receive an advance copy of her new book, Rising Strong, to review (thank you NetGalley).

Brene’s voice is there in this book, as in her previous works. And her essential openness and vulnerability (two of the things that make her work resonate with so many people I know) are there from the opening story–more on storytelling later. And hearing her reassure us that “the process of struggling and navigating hurt has as much to offer us as the process of being brave and showing up” – I mean, who can resist that? (well, who among those of us who really love digging around in this kind of uber-instrospective self-analysis, perhaps).

The book starts rather gently, outlining the overall concept. In Chapter 4, she really starts in on specifics, going beyond her generic advice to “walk into [our] story and own [our] own truth” and gives us specific examples from her own life about recognizing the feelings associated with being overwhelmed by emotions, and (starting to get into the whole storytelling thing) how to recognize the kinds of stories we make up about why we feel a particular way and how to dive into the ugly complexity of those stories, rather than avoiding them or running from them. This is also the chapter where she reminds us that “depression and anxiety are two of the body’s first reactions to stockpiles of hurt.”

In Chapter Five, she offers a structure for actually writing out “the story I’m making up” about any conflict, situation or feeling. This can help us work through these, rather than avoid them or merely justify (to ourselves and others) our response to them. She provides examples and questions to help people uncover their own SFD (or “shitty first draft” of the story — a term she credits to Anne Lamott).

The idea is once you have gotten all the garbage out on paper, you can then think about what makes the story you’re telling yourself so appealing, looking at what the story allows you to avoid and what buttons might actually be being pushed.

I found this idea really interesting, although the whole “reckoning, rumble, and revolution” thing got lost for me a bit…

By far, my favorite chapter is “Sewer Rats and Scofflaws,” which has kept me thinking for days and provided hours of discussion among family and friends. The basic theory that there are two types of people (those who try their best, follow rules, and are respectful, and then the sewer rats and scofflaws who don’t try their best and basically go around taking advantage of people). I have been posing the question to people “do you think that people are, in general, doing the best they can???”

For example, the guy who ran the stop sign and cut in front of me in traffic – my initial response was anger, the whole “what an asshole” reaction. But, what do I really know about why he did that? Maybe he got a call and there is an emergency at home, or he is late to work and worried about being fired, or – who knows? Could be anything. But for me, the point is that me being upset about it isn’t all that healthy for me, and I could really benefit from a shift in my initial negative perspective…so really, would it make a difference if I knew he was doing the best he could? Gotta admit yes.

I think there are tons of things in this book that will stay with me. Like being reminded that “disappointment is unmet expectations.” (Or, to quote Anne Lamott, “expectations are resentments under construction.” YES!

And overall this book reinforces my love for BB, going beyond the initial epiphany I got from an earlier book (the distinction between “I failed” and “I am a failure”) to the sewer rat/scofflaw idea, which just feels HUGE to me.

I asked my husband to read Chapter 6, which he did, and we had a great discussion…when I asked him if he liked it, he said “it’s WAY too introspective for me” but he agreed it elicited an awesome discussion!

Highly recommended for Brene Brown fans…and recommended for people who enjoy this kind of introspective self-analysis…

A Banquet of Consequences by Elizabeth George

book cover

I LOVE Elizabeth George, and have been reading the Inspector Lynley novels (or, as I prefer to call them, the Lynley-Havers novels) since the mid-1990s when introduced to them by a fellow librarian when we were stuck in an airport. So I was extremely pleased to receive an advance of A Banquet of Consequences (#19 in the series) from NetGalley in exchange for my honest review.

Right from the start, this one was different for me: I had no idea what the story involved, who died, where and how the crime would be investigated, and by whom. 2013’s Just One Evil Act (#18 in the series) ended with Barbara Havers being seriously on the outs with the bosses at New Scotland Yard – especially Superintendent Isabelle Ardery – after Barbara violated a boatload of rules and ignored instructions as she went to Italy to deal with a crisis involving her neighbors, Taymullah Azhar and his daughter Haddiyah, both of whom had clearly broken through Barbara’s tough outer shell constructed to protect herself from the hurt inherent in becoming emotionally close to people. At the end of that novel, the Azhars had fled to Pakistan, and I admit I was hoping for an update on this whole complex relationship… but, back to the Banquet!

I began reading without the benefit of even a dust jacket summary and was immediately caught up in the lives of a famous feminist author, her editor, and her assistant, one of whose sons is a young man with a Tourette’s-style affliction and the other is a therapist struggling with his own marital relationship issues – which almost pale in comparison to the mother’s ugly marital situation…wow, this woman can be a complete shrew!

So, early on, the Tourette-ish son flings himself over a cliff – but that isn’t the murder, as it turns out. It took a while for the stories to unfold, and we began to be involved with a variety of relationships…and we just KNOW that the complex interrelationships of the author, her editor, her assistant, and that woman’s extended family are all going to come together is some way!

There are various subplots swirling around the investigation into the actual murder (plus a subsequent attempted murder), the investigations of which involve both Lynley and Havers, in London and in Dorset. Familiar characters appear, including Winston Nkata, Isabelle Ardery (Lynley’s former lover and current boss to both him and Detective Sergeant Havers), Daidre the veterinarian who seemed to be a likely candidate to bring Lynley out of his ongoing mourning following his wife’s murder a couple of books ago…like getting an update on old friends.

George does a terrific job moving the relationships and complex plot (and subplots) along, with a resolution that was a bit of a surprise (admittedly, I am terrible at solving mysteries, despite how many I read). It was a wonderful rebound following the past two Lynley-focused books, which seemed almost stale, as if she might be growing tired of her own characters’ stories. (Book #18 focused on Havers and took place largely out of the UK, and seemed almost as if it were part of another series. Frankly, it was a nice change after two less than astonishingly written Lynley-Havers books, and it seems unfair to compare it to books in the Lynley-Havers series).

As always, George’s use of language is a delight:

  • Describing people: “…a young individual of rather ovine appearance suggestive of too much inbreeding among people with excessively curly hair and faces of a triangular shape in which the apex was upended to form a chin.
  • Describing places: “…the tables were of a vintage and an unmatched variety…and the chairs looked like a furniture version of the United Nations.”

And, whether from her own large vocabulary or my own limited vocabulary, I always enjoy the way she keeps me reaching for my dictionary (bold type mine):

  • “…grasses coruscated like diamonds as the dew that bent them was hit by the daylight.”
  • “…heavy mist creating a tenebrous shroud.”
  • “…breathing whose stertorous nature suggested a life of heave smoking or asthma or both.”

After a couple of disappointments, this more than met my expectations, and I am thrilled that Elizabeth George is back among my favorite authors!